BIBLIOGRAPHY
Dana F. Sutton
1970 1. An Analytic Prosopography and Statistical Guide to the Land Tenure Tablets from Pylos (diss. Wisconsin, available from University Microfilms, Ann Arbor, Mich.; supervised by Emmett L. Bennett, Jr.)
1971 2. “Aeschylus’ Edonians,” in Fons Perennis: Saggi Criticidi Filologia Classica Raccoliti in Onore del Professore Vittorio D’Agostino (Baccola, Turin) 387 - 411
3. “Lucreti Poemata Once Aain,” Rivista di Studi Classici 19, 328 - 337
4. “The Relationship between Tragedies and Fourth Place Plays in Three Instances,”Arethusa 4, 55 - 72
5. Review of Maarit Kaimio, The Chorus of Greek Drama within the Light of the Person and Number Used (Helsinki, 1970), in American Classical Review l, 210
1972 6. “Satyric Qualities in Euripides’ Iphigeneia in Tauris and Helen,” Rivista di Studi Classici 20, 313 - 322
1973 7. “Supposed Evidence that Sophocles’ Electra and Euripides’ Orestes were Prosatyric,” Rivista di Studi Classici 21, 117 - 121
8. “Two Epigrams of Dioscorides (A. P. VII.37 and 707),” Rivista di Studi Classici 21, 197 - 200
9. “Satyric Elements in the Alcestis,” Rivista di Studi Classici 21, 1 - 8
1974 10. “Aeschylus’ Amymone,” Greek, Roman and Byzantine Studies 15, 193 - 202
11. “Athletics in the Greek Satyr Play,” Rivista di Studi Classici 22, 351 - 357
12. The Date of Euripides’ Cyclops (University Microfilm Monograph Series, University Microfilms, Ann Arbor, Mich.)
13. “The Evidence for a Ninth Euripidean Satyr Play,” Eos 62, 49 - 53
14. “Father Silenus: Actor or Coryphaeus?” Classical Quarterly 68, 19 - 23
15. “A Handlist of Satyr Plays,” Harvard Studies in Classical Philology 78, 107 - 143
16. “The Nature of Critias’ Sisyphus,” Rivista di Studi Classici 22, 127 - 131
17. “Satyr Plays and the Odyssey,” Arethusa 7, 161 - 185
18. “Sophocles’ Dionysiscus,” Eos 42, 205 - 211
19. “Sophocles’ Inachus,” Eos 42, 212 - 226
20. “The Titles of Satyr Plays,’ Rivista di Studi Classici 22, 181 - 189
1975 21. “Euripides’ Cyclops 356 - 359 = 369 - 374,” Rivista di Studi Classici 23, 246f.
22. “A Series of Vases Illustrating the Madness of Lycurgus,” Rivista di Studi Classici 23, 351 - 355
23. “Sophocles’ Iambe,”Eos 63, 245 - 248
24. “The Staging of Anodos Scenes,” Rivista di Studi Classici 23, 356 - 364
1976 25. “Euripides’ Apology,” Hermes 104, 241 - 243
26. “Three Notes on P. Oxy. 27.2455 (Euripidean Hypotheses),” The Bulletin of the American Society of Papyrologists 13, 125 - 127
27 “P. Oxy. XXXV.2737: New Light on the Production of Old Comedy,” The Bulletin of the American Society of Papyrologists 13, 125 - 127
28. Review of Charles Rowan Beye, Ancient Greek Literature and Society (New York, 1975) at Classical World 70, 199f.
1977 29. “Euripides’ Theseus,” Hermes 185, 49 - 53
30. “New Words from Satyric Fragments,” Glotta 55, 212 - 214
31. “Notes on the Vocabulary of the Minor Tragic Poets,” Glotta 55, 208 - 212
32. “The Origins of the Cacus Myth,’ Classical Quarterly 27, 391 - 393
33. “P. Bodmer XXVIII: Some First Impressions,” The Bulletin of the American Society of Papyrologists 14, 25 - 27
1978 34. “Aeschylus’ Dictyulci and Diphilus’ Epitrope,” Classical Journal 74, 22 - 25
35. Review of Manfred Landfester, Handlungsverlauf und Komik in den frühen Komödien des Aristophanes (Berlin - New York, 1977) at Classical World 72, 469f.
36. Review of F. H. Sandbach, The Comic Theater of Greece and Rome (New York, 1977) in Classical World 72, 493f.
37. “Some Satyric Fragments from Oxyrhynchus,”Bulletin of the American Society of Papyrologists 15, 275 - 278
38. “William Abbott Oldfather and the Classica Americana,” Classical Journal 74, 148
1979 39. Review of The Classical World Bibliography of Greek Drama and Poetry with a new introduction by Walter Donlan (London - New York, 1978) at Classical World 73, 435
40. “Euripides’ Cyclops and the Kyogen Esashi Juo,” Quaderni Urbinati di Cultura Classica n.s. 3, 53 - 64
41. “Satyr Play at the Lenaia?’ Zeitschrift für Papyrologie und Epigraphie 37, 158 - 160
42. Sophocles’ Inachus (Beiträge zur klaßischen Philologie, Verlag Anton Hain, Meisenheim am Glan)
1980 43. The Greek Satyr Play (Beiträge zur klaßischen Philologie, Verlag Anton Hain, Meisenheim am Glan)
44. “The Hercules Statue from the House of the Stags, Herculaneum,” Rheinisches Museum 123, 242
45. “Harpalus as Pallides,” Rheinisches Museum 123, 243
46. “Plato Comicus Demoted: A Reconsideration,” Zeitschrift für Papyrologie und Epigraphie 38, 59 - 64
47. Self and Society in Aristophanes (University Press of America, Washington D. C.)
1981 48. “Aeschylus’ Theoroi or Isthmiastae: A Reconsideration,” Greek, Roman and Byzantine Studies 22, 335 - 338
49. A Concordance to the Anonymous Constitution of Athens (Bolchazy-Carducci Publishers, Chicago)
50. A Concordance to the Greek Satyr Play (American Philological Association Scholarly Aids Monograph Series, Scholars Press, Chico, Ca.)
51. “Critias and Atheism,”Classical Quarterly 31, 33 - 38
52. “A Handlist to the Fragments of the Greek Satyr Play,” The Ancient World 3, 115 - 130
53. “Satyr Plays and Children in the Audience,” Prudentia 13, 71 - 74
1982 54. “Euripides’ Cyclops 89,” Rheinisches Museum 125, 363
55. “A Modest Proposal,” Classical World 76, 249f.
56. “P. Herc. 1581: The Argument,” Philosophia 12, 270 - 276
1983 57. “Aeschylus and the Mysteries,” Hermes 111, 249 - 55
58. “The Date of the Prometheus Bound,” Greek, Roman and Byzantine Studies 23, 289 - 294
59. “Dithyramb as Drama: the Cyclops of Philoxenus of Cythera,” Quaderni Urbinati di Cultura Classica n. s. 13, 37 - 43
60. The Dramaturgy of the Octavia (in Beiträge zur klaßischen Philologie published by Verlag Anton Hain, Königstein / Taunus)
61. “A Possible Subject for Aeschylus’ Dike Play,” Zeitschrift für Papyrologie und Epigraphie 51, 19 - 24
1984 62. “Aeschylus’ Proteus,” Philologus 128, 127 - 130
63. “Cicero on Minor Dramatic Forms,” Symbolae Osloenses 59, 29 - 36
64. The Lost Sophocles (University Press of America, Lanham, Md.)
65. “P. Lit. Lond. 77: A Rebuttal,” Zeitschrift für Papyrologie und Epigraphie 56, 33f.
66. “Pollux on Special Masks,” L’Antiquité Classique 53, 174 - 183
67. “Seneca’s Hercules Furens: One Chorus or Two?” American Journal of Philology 105, 301 - 305
68. “Vase Paintings Illustrating Satyr Plays,” The Ancient World 9, 119 - 126
1985 69. “Aesopus and the Emotional Lability of Audiences,” Quaderni Urbinati di Cultura Classica 19, 63 - 73
70. “Aristophanes’ Plutus 819 - 822,” Rheinisches Museum 128, 90 - 92
80. “Named Choreuts in Satyr Plays,” American Journal of Philology 106, 107 - 110
81. “P. Oxy. 3653: Sophoclean Hypotheses,” Zeitschrift für Papyrologie und Epigraphie 61, 15 - 18
82. “The Satyr Play,” Chapter 11 in The Cambridge History of Classical Literature, edd. by P. E. Easterling and B. M. W. Knox, 346 - 354 (with appended bibliography)
83. “Two Notes on Lost Plays about Theseus,” Rheinisches Museum 128, 358 - 360
1986 84. Seneca on the Stage (a Mnemosyne monograph published by E. J. Brill, Leiden)
1987 85. “Ezechieliana,” Rheinisches Museum 130, 34 - 39
86. Two Lost Plays of Euripides (Peter Lang Verlag, Berne - New York)
87. “The Theatrical Families of Athens,” American Journal of Philology 108, 9-26
1988 88. “Dicaeopolis as Aristophanes: Aristophanes as Dicaeopolis,” Liverpool Classical Monthly 13:7 (July, 1988) 105 - 108
89. “Evidence for Lost Dramatic Hypotheses,” Greek, Roman and Byzantine Studies 29, 87 - 92
90. Papyrological Studies in Dionysiac Literature (Bolchazy - Carducci Publishers, Chicago)
1989 91. The Greek Dithyrambographers (Georg Olms Verlag, Wiesbaden)
92. “A Handlist of Satyr Plays,” reproduced with an updating appendix in Satyrspiele (ed. Bernd Seidensticker, in the Wege der Forschung series, Darmstadt) 287 - 331.
1990 93. “Aristophanes and the Transition to Middle Comedy,” Liverpool Classical Monthly 15:6 (June, 1990) 81 - 95
94. Extracts from Self and Society in Aristophanes reprinted in Classical and Medieval Literature Criticism (edd. J. O. Krstovic et al., Detroit - New York - London) IV.162 - 69
1991 95. Homer in the Papyri (version 1:0): an electronic data base distributed for the American Philological Association by Scholar’s Press of Atlanta, Ga.
96. “Justus Lipsius to Thomas Legge, January 1, 1585,” Humanistica Lovaniensia 40, 275 - 81.
1993 97. Thomas Legge: The Complete Plays (in two volumes) Peter Lang Verlag, Berne - New York
98. Ancient Comedy: The Conflict of the Generations, in Twaynes’ Literary Genres and Themes Series (ed. by Ronald Gottesman), Macmillan, New York
1994 99. The Catharsis of Comedy, in the series ’Greek Studies: Interdisciplinary Approaches’ (ed. by Gregory Nagy), Rowman and Littlefield
100. William Gager: The Complete Works (in four volumes) Garland Press, New York.
101. “John Sanford, Apollonis et Musarum Εὐκτικὰ Εἰδύλλια,” Humanistica Lovaniensia 44, 207 - 49.
1995 101. Oxford Poetry by Richard Eedes and George Peele, Garland Press, New York.
1996 102. The Complete Works of Thomas Watson (1556 - 1592) (in two volumes), The Edwin Mellen Press, Lewiston NY. (N. b.: this was awarded the Adéle Mellen Prize For Distinguished Scholarship).
1997 103. Unpublished Works by William Alabaster (1568 - 1640) Salzburg Studies in English Literature: Elizabethan and Renaissance Studies
104. Homer in the Papyri hypertext version, now posted by the Center for Hellenic Studies
105. The Latin Prose and Poetry of Joseph Addison hypertext critical edition, posted in The Philological Museum
106. Matthew Gwinne’s tragedy Nero (1603) hypertext critical edition, posted in The Philological Museum
107. The Latin Poetry of Thomas Campion (1567 - 1920) hypertext critical edition, posted in The Philological Museum
108. “Milton’s in Quintum Novembris, Anno Aetatis 17 (1626): Choices and Intentions,” in Jon Mikalson and Gareth L. Schmeling (edd.) Qui Miscuit Utile Dulci (Festschrift for Paul Lachlan MacKendrick on his 85th birthday) Bolchazzi - Carducci, Chicago, 349-375
1998
109. Edward Forsett’s comedy Pedantius (1581) hypertext critical edition, posted in The Philological Museum
110. Matthew Gwinne’s Tres Sibyllae (1605) hypertext annotated edition, posted in The Philological Museum
111. George Ruggle’s comedy Ignoramus (1615) hypertext critical edition, posted in The Philological Museum
112. Giambattista Della Porta’s comedy La Trappolaria (1596), text transcript, posted in The Philological Museum
113. William Alabaster’s tragedy Roxana (ca. 1595), hypertext critical edition, posted in The Philological Museum
114. Luigi Groto’s tragedy La Dalida (1572), text transcript, posted in The Philological Museum
115. Peter Mease’s tragedy Adrastus Parentans sive Vindicta (ca. 1620), hypertext critical edition, posted in The Philological Museum
116. Florent Chrestien’s Latin Translation of Euripides’ Cyclops (1605), hypertext critical edition, posted in The Philological Museum
117. (With M. T. Anderson) Phineas Fletcher’s Sylva Poetica (1633), hypertext critical edition, posted in The Philological Museum
118. Phineas Fletcher’s Locustae sive Pietas Jesuitica, edited text, posted in The Latin Library
1999 119. John Milton’s In Quintum Novembris (1626), hypertext critical edition, posted in The Philological Museum
120. An Analytic Bibliography of On-Line Neo-Latin Texts (ongoing project), posted in The Philological Museum
121. Scipio Gentili’s Nereus (1584), hypertext critical edition, posted in The Philological Museum
122. Scipio Gentili’s partial Latin translation of Tasso’s Gerusalemme Liberata (1584), hypertext critical edition, posted in The Philological Museum
123. Scipio Gentili’s Psalm Metaphrases (1581, 1584), hypertext critical edition, posted in The Philological Museum
124. The Complete Latin Poetry of Walter Savage Landor (in two volumes, with a preface by J. W. Binns, The Edwin Mellen Press, Lewiston NY.)
125. Charles Fitzgeoffrey’s Affaniae and Cenotaphia (1601), hypertext critical edition, posted in The Philological Museum
126. John Owen’s Epigrammata (1606 - 1613), hypertext critical edition, posted in The Philological Museum
127. Sir Francis Kynaston’s Amorum Troili et Creseidae Libri Quinque (1639), hypertext critical edition, posted in The Philological Museum
128. Sir Francis Kynaston’s Testamentum Creseidae (1639), hypertext critical edition, posted in The Philological Museum
129. Supplied the translation for the Latin portion of M. T. Anderson’s hypertext critical edition of Edward Benlowes’ A Glance at the Glories of Sacred Friendship (1657), posted in The Philological Museum
130. Digory Whear’s De Ratione et Methodo Legendi Historias (1623), hypertext critical edition, posted in The Philological Museum
131. Review of D. K. Money, The English Horace: Anthony Alsop and the Tradition of Britian Latin Verse (Oxford, 1998) at Neo-Latin News 57/3 - 4 (1999) 302 - 305
2000 132. William Camden’s Annales Rerum Anglicarum et Hibernicarum Regnante Elizabetha (1615 and 1625), hypertext critical edtion, posted in The Philological Museum
133. Robert Ward’s comedy Fucus sive Histriomastix (1623), hypertext critical edition, posted in The Philological Museum
134. The anonymous comedy Stoicus Vapulans (1618), hypertext critical edition, posted in The Philological Museum
135. “The Queen’s Latin,” Neulateinisches Jahrbuch, Journal of Neo-Latin Language and Literature 2, 233 - 240
136. Abraham Fraunce’s comedy Victoria (1618), hypertext critical edition, posted in The Philological Museum
137. The anonymous comedy Laelia (1595), hypertext critical edition, posted in The Philological Museum
138. Henry Bellamy’s tragicomedy Iphis (ca. 1625), hypertext critical edition, posted in The Philological Museum
139. Abraham Fraunce’s (?) comedy Hymenaeus (1578), hypertext critical edition, posted in The Philological Museum
140. The anonymous comedy Silvanus (1597), hypertext critical edition, posted in The Philological Museum
141. Sir Francis Bacon’s Sermones Fideles sive Iteriora Rerum (printed 1638), hypertext critical edition, posted in The Philological Museum
142. Sir Francis Bacon’s Historia Regni Henrici Septimi Regis Angliae (printed 1638), hypertext critical edition, posted in The Philological Museum
143. John Stradling’s Epigrammatum Libri Quatuor (1607), hypertext critical edition, posted in The Philological Museum
2001 144. William Camden’s Actio in Henricum Garnetum (1607), hypertext critical edition, posted in The Philological Museum
145. Anon., A true and perfect relation of the proceedings at the severall arraignments of the late most barbarous Traitors, (1606), hypertext critical edition, posted in The Philological Museum
146. William Camden’s Diary (1603 - 1627), hypertext critical edition, posted in The Philological Museum
147. George Buchanan’s De Caleto Recepta Carmen (1558), hypertext annotated edition, posted in The Philological Museum
148. George Ruggle’s De Repetita Cantabrigia (1615), hypertext critical edition, posted in The Philological Museum
149. William Camden’s Poems and Epitaphs (printed 1691), hypertext critical edition, posted in The Philological Museum
150. Thomas Snelling’s Tragedy Thibaldus sive Vindictae Ingenium (printed 1640), hypertext critical edition, posted in The Philological Museum
151. Abraham Cowley’s Comedy Naufragium Ioculare (1638), hypertext critical edition, posted in The Philological Museum
152. Aquila Cruso’s comedy Euribates (1616?), hypertext critical edition, posted in The Philological Museum
153. Christopher Wren Sr.’s Comedy Physiponomachia (ca. 1610), hypertext critical edition, posted in The Philological Museum
154. Thomas Sparrowe’s Comedy Confessor, hypertext critical edition, posted in The Philological Museum
155. “Shakespeare and the Academics,” Neulateinisches Jahrbuch, Journal of Neo-Latin Language and Literature 3, 177 - 186
156. Review of Donald Cheney and Brenda M. Hosington (edd.) Elizabeth Jane Weston: Collected Writings (Toronto, 2000), at Neulateinisches Jahrbuch, Journal of Neo-Latin Language and Literature 3, 246 - 248
157. George Buchanan’s De Maria Scotorum Regina (1568), hypertext critical edition, posted in The Philological Museum
158. Charles Johnson’s Comedy Fortune in her Wits (1705), hypertext critical edition, posted in The Philological Museum
159. Walter Bigges’ Expeditio Francisci Draki Equitis Angli in Indias Occidentales Anno MDLXXXV (1588), hypertext critical edition, posted in The Philological Museum
160. George Buchanan’s De Iure Regni Apud Scotos Dialogus (1579), hypertext critical edition, posted in The Philological Museum
161. William Alabaster’s Six Responses (1598), hypertext critical edition, posted in The Philological Museum
2002 162. John Case’s Sphaera Civitatis (1588), hypertext critical edition, posted in The Philological Museum
163. Sir Richard Carew’s Partial Latin Translation of Tasso’s Gerusalemme Liberata (1594), hypertext critical edition, posted in The Philological Museum
164. William Johnson’s Comedy Valetudinarium, hypertext critical edition, posted in The Philological Museum
165. Thomas Smith’s Viri Clarissimi Gulielmi Camdeni Vita (1691), hypertext critical edition, posted in The Philological Museum
166. Contributed the translation of the gratulatory epigrams prefacing William Gamage’s Linsi-Woolsie (1613) in the hypertext critical edition by Glyn Pursglove, posted in The Philological Museum
167. George Buchanan’s Ane Admonition Direct to the Trew Lordis Mantenaris of the Kingis Graces Authoritie (1571), hypertext critical edition, posted in The Philological Museum
168. George Buchanan’s Vita ab Ipso Scripto Biennio ante Mortem (1580), hypertext critical edition, posted in The Philological Museum
169. Henry Jackson’s Letter of September 1610, hypertext critical edition, posted in The Philological Museum
170. Charles Fitzgeoffrey’s Sir Francis Drake, His Honourable Lifes Commendation, and his Tragicall Deathes Lamentation (1596), hypertext critical edition, posted in The Philological Museum
171. John Case’s Speculum Moralium Quaestionum (1585), hypertext critical edition, posted in The Philological Museum
2003 172. George Buchanan’s Rerum Scotarum Historia (1582), hypertext critical edition, posted in The Philological Museum
173. Christopher Ocland’s EIPHNAPXIA (1582), hypertext critical edition, posted in The Philological Museum
174. Charles Estienne’s Les Abusez (1543), text transcript, posted in The Philological Museum
175. Thomas Legge’s Trilogy Richardus Tertius (1579) (second, expanded edition), hypertext critical edition, posted in The Philological Museum
176. Thomas Ryley’s Comedy Cornelianum Dolum (printed 1638), hypertext critical edition, posted in The Philological Museum
177. John Case’s Apologia pro Musices tam Vocalis Quam Instrumentalis et Mixtae (1588), hypertext critical edition, posted in The Philological Museum
178. George Peele’s Pareus (1585), hypertext critical edition, posted in The Philological Museum
179. John Brownswerd’s Progymnasmata Quaedam Poetica (printed 1589), hypertext critical edition, posted in The Philological Museum
180. Richard Eedes’ Iter Boreale (1583), hypertext critical edition, posted in The Philological Museum
2004
181. (With John S. Alabaster) William Alabaster, Intelligence Report (1599), hypertext critical edition, posted in The Philological Museum
182. Francis Davison’s Anagrammata in Nomina Illustrissimorum Heroum (1603), hypertext critical edition, posted in The Philological Museum
183. William Camden’s Britannia (1607), hypertext critical edition, posted in The Philological Museum
184. Paulus Hentzner’s Itinerarium Angliae (1612), hypertext critical edition, posted in The Philological Museum
185. Review of John Davidson and Arthur Pomeroy (edd.), Theatres of Action: Papers for Chris Dearden (Auckland, 2003), Bryn Mawr Classical Review, posted here
186. The anonymous tragedy Thomas Cantuariensis (1613), hypertext critical edition, posted in The Philological Museum
187. The anonymous intermedium Minutum (1613), hypertext critical edition, posted in The Philological Museum
188. Biography of Joseph Addison in Thoemes Dictionary of British Classicists (ed. Robert B. Todd).
189. Biography of William Gager in the same.
190. Biography of Walter Savage Landor in the same.
191. Biography of Thomas Watson in the same.
192. The anonymous tragedy Thomas Morus (1612), hypertext critical edition, posted in The Philological Museum
193. The anonymous intermedium Vulpinus (1612), hypertext critical edition, posted in The Philological Museum
194. Matthew Gwinne’s In Laudem Musices Oratio (1582), hypertext critical edition, posted in The Philological Museum
195. The anonymous tragedy Roffensis (1618?), hypertext critical edition, posted in The Philological Museum
2005
196.http://www.philological.bham.ac.uk/wren2/ (1657), hypertext critical edition, posted in The Philological Museum
197. Review of Marianne Pade, Keren Skovgaard-Petersen, and Peter Zeeberg (edd.), Minna Skafte Jensen, Friendship and Poetry: Studies in Danish Neo-Latin Literature (Copenhagen, 2004), Bryn Mawr Classical Review, posted here
198. Polydore Vergil’s Anglica Historia (1555), hypertext critical edition, posted in The Philological Museum
199. George Buchanan’s Five Masques, hypertext critical edition, posted in The Philological Museum
200. William Gager’s Complete Works, hypertext critical edition, posted in The Philological Museum
201. William Alabaster’s Carmina, hypertext critical edition, posted in The Philological Museum
202. Thomas Smith's Vita D. Roberti Cottoni (1696), hypertext critical edition, posted in The Philological Museum
2006
203. Response to James J. O'Donnell's review of Gaspard Fossati, Aya Sofia Constantinople, Bryn Mawr Classical Review, posted here
204. William Gager (ed.) Exequiae Illustratissimi Equitis D. Philippi Sidnaei, Gratissimae Memoriae ac Nomini Impensae (1587) hypertext critical edition, posted in The Philological Museum
205. Edward Vere, Earl of Oxford, Dedicatory epistle dated 3 January 1571 to Bartholomew Clerke's Balthasaris Castilionis Comitis De Curiali siue Aulico (1571), hypertext critical edition, posted by The Oxford Authorship Site here
206. John Leland's Naeniae in Mortem Thomae Viati Equitis Incomparabilis (1542), hypertext critical edition, posted in The Philological Museum
207. John Leland's Two Poems on the French Wars (1545 and 1546), hypertext critical edition, posted in The Philological Museum
208. John Leland's Κύκνειον ᾇσμα (1545), hypertext critical edition, posted in The Philological Museum
209. John Leland's Pompa Nympharum (1537), hypertext critical edition, posted in The Philological Museum
210. Nicholas Carr's De Scriptorum Britannicorum Paucitate et Studiorum Impedimentis Oratio (printed 1576), hypertext critical edition, posted in The Philological Museum
211. Review of Charles Martindale and A. B. Taylor (edd.), Shakespeare and the Classics (Cambridge, 2004), Classical Bulletin 81:2 (2005) 242 - 4
212. Nicholas Udall and John Leland's Poetry for the Coronation of Anne Boleyn (1533), hypertext critical edition, posted in The Philological Museum
213. Thomas Legge's Solymitana Clades, hypertext critical edition, posted in The Philological Museum
214. John Vicars, Extract from Χειραγωγία, Manuductio ad Artem Rhetoricam (1628 edition), hypertext critical edition, posted in The Philological Museum
215. The anonymous Jesuit comedy Psyche et Filii Eius (ca. 1620), hypertext critical edition, posted in The Philological Museum
216. The anonymous comedy Ara Fortunae (1607), hypertext critical edition, posted in The Philological Museum
217. The anonymous comedy Ira Fortunae (1608), hypertext critical edition, posted in The Philological Museum
218. Owen Vertue's comedy Saturnalia (1607), hypertext critical edition, posted in The Philological Museum
219. The anonymous comedy Philomathes (1608), hypertext critical edition, posted in The Philological Museum
220. The anonymous tragedy Philomela (1607), hypertext critical edition, posted in The Philological Museum
221. John Blencowe's comedy Mercurius, sive Literarum Lucta, hypertext critical edition, posted in The Philological Museum
222. Hadrianus Junius' Philippeis (1554), hypertext critical edition, posted in The Philological Museum
223. Review of Alfred Thomas Barton, Gulielmi Shakespeare Carmina quae
Sonnets Nuncupantur Latine Reddita (ed. Ludwig Bernays, Dozwil, 2006), Bryn Mawr Classical Review, posted here224. Abraham Cowley's De plantis libri sex (1668), hypertext critical edition, posted in The Philological Museum
225. Christopher Anstey 's Epistola poetica familiaris (1777), hypertext critical edition, posted in The Philological Museum
226. Review of Gary. R. Grund, Humanist Comedies (Cambrudge U. S. A., 2005), in The Classical Bulletin 82, 313f.
2007
227. Joseph Crother's comedy Cephalus et Procris (1626 - 28), hypertext critical edition, posted in The Philological Museum
228. Abraham Cowley's Davideos Liber I (1656), hypertext critical edition, posted in The Philological Museum
229. Abraham Cowley's Carmina, hypertext critical edition, posted in The Philological Museum
230. Thomas Compton Carleton S. J.'s tragedy Fatum Vortigerni (1619), hypertext critical edition, posted in The Philological Museum
231. John Leland, Two Latin Masques, hypertext critical edition, posted in The Philological Museum
232. John Leland, Epigrammata (printed 1589), hypertext critical edition, posted in The Philological Museum
233. Edward Grant, Oratio de Vita et Obitu Roberti Aschami (1576), hypertext critical edition, posted in The Philological Museum
234. Roger Ascham, Carmina (printed 1576), hypertext critical edition, posted in The Philological Museum
235. Christopher Ocland, Anglorum Praelia (1580), hypertext critical edition, posted in The Philological Museum
236. The anonymous tragedy Solymannidae (1582), hypertext critical edition, posted in The Philological Museum
237. Anon., De Caede et Interitu Gallorum Regis Henrici Tertii, Valesiorum Ultimi, Epigrammata (1589), hypertext critical edition, posted in The Philological Museum
238. Review of Rhoda Schnur, Acta Conventus Neo-Latini Bonnensis: Proceedings of the 12th International Congress of Neo-Latin Studies (Bonn 2003) (Medieval& Renaissance Texts & Studies, 315, Tempe, Az., 2006), Bryn Mawr Classical Review, posted here
239. Christopher Ocland, Elizabetheis (1589), hypertext critical edition, posted in The Philological Museum
240.Theodore Beza, Three Poems (1588), hypertext critical edition, posted in The Philological Museum
241. Leonard Hutten's comedy Bellum Grammaticale (1581), hypertext critical edition, posted in The Philological Museum
242. Adrien de Roulers' tragedy Stuarta (1589), hypertext critical edition, posted in The Philological Museum
243. (With Jamie Reid Baxter) Alexander Yule, Descriptio Horrendi Parricidii (1606), hypertext critical edition, posted in The Philological Museum
244. Review of Richard Ashdowne and James Morwood, Writing Latin: An Introduction to
Writing in the Language of Cicero and Caesar (London, 2007) in Bryn Mawr Classical Review, posted here245. George Buchanan's Psalmorum Davidis Paraphrasis Poetica (1580 version), hypertext critical edition, posted in The Philological Museum
247. Richard Harvey (?), In obitum doctissimi viri venerabilis Mri. Spenseri carmen ἐπικήδικον (1598), hypertext critical edition, posted in The Philological Museum
2008
248. (With Jamie Reid Baxter) George Buchanan and Alexander Yule, Ecphrasis Paraphraeseos Georgii Buchanani in Psalmos Davidis (1620), hypertext critical edition, posted in The Philological Museum
249. The Jesuit tragedy Morus, hypertext critical edition, posted in The Philological Museum
250. David Waterhouse's comedy Cleophilus (printed 1700), hypertext critical edition, posted in The Philological Museum
251. David Waterhouse's comedy Simo (printed 1702), hypertext critical edition, posted in The Philological Museum
252. Florence Wilson's De Animi Tranquillitate Dialogus (1543), hypertext critical edition, posted in The Philological Museum
253. The Jesuit play Magister Bonus sive Arsenius (1614), hypertext critical edition, posted in The Philological Museum
254. The Jesuit tragedy Basilindus, hypertext critical edition, posted in The Philological Museum
255. The Jesuit Declamatoria Actio Artaxerxes, hypertext critical edition, posted in The Philological Museum
256. P. Cuffaud, et al., the Jesuit play Felix Concordia Fratrum sive Ioannes et Paulus (1651), hypertext critical edition, posted in The Philological Museum
257. (With Jamie Reid Baxter) John Dunbar, Epigrammaton Ioannis Dunbari Megalo-Britanni Centuriae Sex, Decades Totidem (1616), hypertext critical edition, posted in The Philological Museum
258. P. Cuffaud, et al., the Jesuit play Gemitus Columbae sive Theophili Lachrymae (1650 or 1652), hypertext critical edition, posted in The Philological Museum
259. The Jesuit history play Crux Vindicata, hypertext critical edition, posted in The Philological Museum
2009
260. John Case, The Praise of Musicke (1586), hypertext critical edition, posted in The Philological Museum
261. The Jesuit tragedy Fortunae Ludibrium sive Bellisarius, hypertext critical edition, posted in The Philological Museum
262. Review of Charles Burnett and Nicholas Mann (edd.), Britannia Latin: Latin in the Culture of Great Britain from the Middle Ages to the Twentieth Century (Warburg Institute Colloquia 8, London - Torino, 2005), in Exempla Classica 13 (2009) 393 - 400
2010
263. Review of V. Leroux, Marc-Antoine Muret: Juvenilia (Geneva, 2009), in The Classical Review 60:1 (2010) 317f.
264. William Drury’s tragicomedy Reparatus sive Depositum (1621), hypertext critical edition, posted in The Philological Museum
265. Joseph Simons S. J.’s tragedy Sanctus Damianus (1626), hypertext critical edition, posted in The Philological Museum
266. (With Ewen Bowie, James Tatum and others) “In Memoriam B. P. Reardon,” The Newsletter of the American Philological Associan Winter 2010, posted here
267. Joseph Simons S. J.’s tragedy Sanctus Pelagius Martyr (1623), hypertext critical edition, posted in The Philological Museum
268. The Jesuit History Play Montezuma, hypertext critical edition, posted in The Philological Museum
269. Contributed a large number of entries to The Lost Plays Database (University of Melbourne)
270. The Jesuit Play Ananias, Azarias, Mizael, hypertext critical edition, posted in The Philological Museum
271. Hector Boece’s Scotorum Historia (1575 version), hypertext critical edition, posted in The Philological Museum
272. Supplied the translation and annotation for the essay De Fide et Antiquitate huius Historiae Tractatus, in Richard F. Hardin’s hypertext critical edition of John Ross, Britannica (1607), posted in The Philological Museum
273. Bernard André, De Vita atque Gestis Henrici Septimi Historia, hypertext critical edition, posted in The Philological Museum
274. Andrew Ramsay, Creationis Rerum Descriptio Poetica (1633), hypertext critical edition, posted in The Philological Museum
275. Andrea Ammonio, Carmina (1511), hypertext critical edition, posted in The Philological Museum
276. Polydore Vergil, Adagiorum Liber (1521 version), hypertext critical edition, posted in The Philological Museum
277. Review of Ruth Monreal, Flora neolatina: die Hortorum libri IV von René Rapin S.J. und die Plantarum libri VI von Abraham Cowley. Zwei lateinische Dichtungen des 17. Jahrhunderts (Berlin - New York, 2010), in Bryn Mawr Classical Review, posted here
278. Thomas Watson: Complete Works (second, electronic edition). hypertext critical edition, posted in The Philological Museum
2011
279. Alexander Boyd, Carmina, hypertext critical edition, posted in The Philological Museum (with Jamie Reid Baxter)
280. Robert Johnston, History of the Reign of James VI of Scotland, posted in The Philological Museum
281. John Maitland, Epigrammata, hypertext critical edition, posted in The Philological Museum
282. John Dunbar, Daphnaeum Doctorale (1618), hypertext critical edition, posted in The Philological Museum
283. Review of Rhoda Schnur (ed.), Acta Conventus Neo-Latini Budapestinensis: Proceedings of the Thirteenth International Congress of Neo-Latin Studies, Budapest, 6-12 August 2006. Medieval and Renaissance Texts and Studies, 386. Tempe: Arizona Center for Medieval and Renaissance Studies, 2010, in Bryn Mawr Classical Review, posted here
284. Alexander Dickson, De Umbra Rationis et Iudicii (1584) hypertext critical edition, posted in The Philological Museum
285. “Isaac Casaubon,” Corona Regia (1615). hypertext critical edition, posted in The Philological Museum
286. George Salterne, Two Poems, hypertext critical edition, posted in The Philological Museum
287. Review of Benedict Kingsbury, Benjamin Straumann, David Lupher (edd.), Alberico Gentili. The Wars of the Romans: A Critical Edition and Translation of De armis Romanis. Oxford/New York: Oxford University Press, 2010, posted here.
288. Humphrey Llwyd, Commentarioli Britannicae Descriptionis Fragmentum (printed 1572), hypertext critical edition, posted in The Philological Museum
289. Paulus Melissus Schede, The English Poetry (1586), hypertext critical edition, posted in The Philological Museum
290. Supplied the English translation of two 1575 letters from William Lewin to Lord Burghley, for the “Documents in the Life of Edward de Vere, 17th Earl of Oxford” section of Nina Green’s The Oxford Authorship Site.